2020 Studio ︎  VIDEO ︎  Program     


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Bus

Australian Bushfires
Animation by Vicky Lee


28 th of October 2020




Esme Solomon from PDP 2nd year, made  a crochet koala. We initially wanted to make crochet flames as well but realised that tissue paper would look just as good to be honest. And would actually be more noticeable.

The Koala would be  burning in the fire, this symbol felt emblematic of the australian bushfires,  just as kangaroos in fire  were. On instagram, the mean of communication of most youngs, there were #koalas burning everywhere.






I worked then with Hongji Yan, BA Womensear 1st year, and we made foamboard flames, I wanted them to be quite huge and to feel as if the head was on fire. 



The head  in between the bush. Unfortunately  this piece wasn’t adapted for performative purposes. It wasn’t sturdy,  and would never last should  there be movements. Secondly it  wouldn’t look very good as it wasn’t it surrounding the head properly and wasn’t sitting on the shoulders well. So I  made a backpack structure similar to the  one I made for Covid. I unfortunately  didn’t take any pictures.  This was a good solution to overcome the stability issue.














For The Australian Bushfires, we wanted to make a significant headpiece and to give the impression of being in fire. At first I started making a papier mache tree and hang a koala but somehow wanted to make the piece even  more  dramatic.

The tree is quite heavy, and as i  felt very drawn to  this event, it felt like it wasn’t enough... 








We wanted to recreate the forest-feeling on fire,and have many trees bursting out, and it being like a backpack. 

Shopping on Goldhawk road to find shiny brown cheap fabric, cut them in strips and  then wrapped the trees.


Makeup look by  Sylvian Lockwood

This makeup photo was taken on the  first day, when Sylvian added strings, this was a very beautiful design however it was taking hours and wouldn’t be noticeable on stage anyways, so we scratched the string idea for the rest of the performances.



I worked with Emma Berardi for the ceramic teapots from Chelsea Industrial design. When we met throughout the process,  the jug would  get better everytime.  We  went for a minimalistic-straight to  the point - approach, as we felt it would be more striking. Trees over a red backgrond, just like the photos.


























These were much smaller designs, we decided to paint the  trees  brown, and have the  jug  even bigger and  more cylindrical  as well. I also think that having the trees in relief would look  even better.












This is the  final  version of  teapot  and  mug.